‘Vancouver’ in Arabic script

Partnered with Fajer

I was partnered with Fajer, she is from and currently based in Kuwait but very keen to get here toVancouver.

We have a love of typography and letterforms in common, so I decided to focus my gift in on that. Fajer loves the idea of combining Arabic and English and so my take on that was to use the Arabic to write a welcoming phrase in English. I started by looking at Arabic script, it is very beautiful and so I was looking forward to working with it for this project.

Working in 3D

My background is in digital graphic design in in-house roles but my personal practice has been based largely on 3D modelling, experimental print making and photography based on the work I have made. I knew for this project, given the time constraints, and also the fact that it was a gift, that I wanted to create a crafted object that would sit on Fajer’s desk. I therefore resolved to work in 3D

My most recent work has all involved 3D foamboard modelling and so it was my go to material. In a previous life I studied architecture and used balsa wood to model to-scale projects, but for me foamboard is much easier and much quicker to finish with paint, although it doesn’t have the strength of balsa wood.

Design Process

I started the design process by considering ‘Welcome to Vancouer’ as an option but could see that this phrase in Arabic script would have many parts and as I wasn’t sure how I was going to present the gift I thought this a little ambitious in the time given – especially given the complex shapes in the script. I had two ideas for how to present the final piece: the first being as a collection of letters that I could present in a parcel or small bag, to be assembled on the flat desk in real time, to read out the message to Fajer online; the second was to have the whole piece as a freestanding form. Both of these would have to be simplified in order to complete a gift that took into account the time it would take to cut out the beautiful but complex Arabic phrases. I therefore edited the whole phrase to simply Vancouver. I still thought this would be a nice gesture to Fajer, paying homage to the stunning letterforms while tying into the city that she was very keen to call her next home. Having decided to focus on Vancover I knew that the first task was the scale I would do it a


The first scale trial was to do a rough cut with the scalpel to quickly gauge what size the lettering would need to be in order to achieve the smoothest finish possible. I knew from experience that this size, scales shown by the metal ruler shown, would likely be too small but it helped confirm this and allow me to quickly move on to a larger scale as below.

Second Scale Trial

This sizing made each phrase much easier to handle in foamboard and much easier to cut down with my scalpel.

Colour Choice

Initially for the colour I was going to use the bright green of Vancouver as Fajer is keen to get here and into the hiking culture. On reflection I wasn’t happy with the way the colour looked, either the tone or finish, I wasn’t sure it conveyed the outdoors aspect I was going for (it might have needed a layering of various greens such as you actually find when out in the forest) than just bringing to mind the apple type Granny Smith. I had a further chat with Fajer and discovered her favourite colour was purple and so, after a lot of colour mixing and trials, I went with a deep purple.

Support System

The next issue was to present the lettering as a gift and I resolved to make it a freestanding structure to sit on the desk, to remind Fajer of home when she is here in Vancouver. That presented a number of challenges. How to create a base to sit the letters on, how to then connect each phrase to this so that it all sat together as one. How to connect the accents of each phrase to the letters below in order to have them suspended in the air at the right height, as there are subtle variations that need to be paid attention to and incorporated.

Support System

In order for the lettering to stand as a freestanding piece it needed to have a base, and each of the phrases had to connect. I created two key black strips, one at the base and one connecting the 2nd and 3rd pieces at their horizontal base (shown in purple lines above). Luckily as the piece is only 23cm x 8cm and made from foamboard it is very light and so the cantilever effect doesn’t happen at all. Then I created 3 metal supports to hold the accents in mid air above each letter (shown by the green diagonal lines above). One key aspect I mentioned above was that the accents differed in height above each letter. I was able to accommodate this in the metal rods simply by adjusting how deeply I embedded the rods into each letter below and therefore how much rod was left in the air to hold the accent. The aim was to make the supports as discrete as possible so as to make the Arabic script itself the main focal point.

The Completed Gift

The final piece for Fajer – ‘Vancouver’ in Arabic Script, measures approx 23cm x 8 cm

The completed piece – free standing Arabic script of ‘Vancouver’.

Close up of the support system designed to make this a freestanding model

Close up detail of the support system in place: the black base and thin black support as indicated by the horizontal purple strip; the metal rods as indicated by the diagonal green strips. For me this level of detailed design was a way of considering how the piece would work as perhaps a larger scale model and the support system that would need to be in place to support much larger and heavier base pieces, and also what I would have needed to do for the whole ‘Welcome to Vancouver’ phrase if I had done that.


If I could have developed this idea I may have taken my two earlier ideas and combined them. The earlier one was to present Fajer with a bag of letter treats and assemble them online, flat on the desk to reveal the message in real time.

If I had commited to a hybrid of the two ideas I would have adjusted the assembly method and built on the supports system I devised for the completed piece above in order to support the whole ‘Welcome to Vancouver’ in one full free standing model.

The finished piece in that case would have been the performance of me putting each Arabic phrase together in a single freestanding structure to reveal the final phrase to Fajer when she saw it all together. The intention would then be for this complete form to sit on Fajer’s desk for when she gets here.


Design Practice

Ongoing Work : Material Exploration

I have always been interested in surface texture, colour and form and how they interact with each other visually. Texture heightens the effect of colour and so if you are looking at how you would visualise the concept of giddiness, this is an interesting place to start.

The idea to do this came as a development of the Dublin project below. Having tried the writing in neon and using metal sheeting as a base for pen and ink writing (see below), I was keen to take the design off the page a little more.

The yellow texture above came about by trying to get across the dizzying feeling of losing myself in a new city. I had taken the idea of the lines of the notepaper and made these out of yellow strips of foamboard to heighten the message. This got me thinking about how could I take that shape further, I cut it into triangular shapes and placed these in a random pattern as above. The inspiration for this random pattern came about when I watched a documentary film about the Titanic Exhibition Centre in Belfast. The designers had been set on ensuring that the exterior metal facade was made up of a pattern that didn’t follow a standard pattern, this meant that it was more eye catching because it wasn’t standard-your eye needed to pay attention and not switch off as it would do had it been standard. The yellow colour is my best attempt to match the gorgeous yellow favoured by Mexican architect Luis Barragan in his Tlalpan Chapel, Mexico City. I am currently working on a 3D print model for this, I’d like to see what variance in scale did to the effect of colour and shape on an interior and possible attempt a garment with this surface design.


This project came about through recording my first impressions of living in the Irish capital. Words my own, street art backing in image below right credit unknown.

“The giddiness and losing myself of a new city”

“Stotin’ through the crowd into ongoing traffic, she stopped the screaming bus with a flick of her cigarette, veering across lanes, taking on the world with her half closed glare”

I used El Wire to replicate the look of neon Diner writing, the sign writing that you get in those outskirt of city cafes, where you get a coffee before you hit the centre of town and look for your new home. It’s usually a feeling of excitement, trepidation and a little strange loneliness. This is what I set out to capture.

This was in homage to that fierce Irish woman, I used a serif font on al foil with pen and ink, you can just make out the writing on the mixed media al foil, backed by mixed media on white card.

Traveling in Canada
A couple of compositions created from my own photographs of Ottawa and Montreal, the left image (Ottawa) describes summer:

“Green trees busting with summer,waving from each corner”, while the right image is a tribute to the Silo No. 5, the massive Silos at the back of the picture.

Richard Holloway / Peter Howsen Interview

Graphic response to an interview between broadcaster Richard Holloway interviewing artist Peter Howson. Peter Howsen, a fragile character, had gone on a war artists assignement and had come back troubled. I printed the interview words, typographically set out like the King James Bible,on tissue paper and bound these loose leaves with a single nail. I etched the same words onto metal sheeting as a contrast and a reference to where he had been